Page loading
-
Authors -
Chronological
- • 1977 (1-12)
- • 1978 (13-23)
- • 1979 (24-27)
- • 1980 (28-39)
- • 1981 (40-52)
- • 1982 (53-64)
- • 1983 (65-74)
- • 1984 (75-97)
- • 1985 (98-114)
- • 1986 (115-120)
- • 1987 (121-127)
- • 1988 (128-134)
- • 1989 (-)
- • 1990 (135)
- • 1991 (136-138)
- • 1992 (139-144)
- • 1993 (145-153)
- • 1994 (154-163)
- • 1995 (164-172)
- • 1996 (173-188)
- • 1997 (189-194)
- • 1998 (195-196)
- • 1999 (197-201)
- • 2000 (202-206)
- • 2001 (207-213)
- • 2002 (214-220)
- • 2003 (221-224)
- • 2004 (225-226)
- • 2005 (227-229)
- • 2006 (230-231)
- • 2007 (232-237)
- • 2008 (238)
- • 2009 (239-247)
- • 2010 (248)
- • 2011 (249-251)
- • 2012 (252-255)
- • 2013 (256)
- • 2014 (257)
- • 2015 (-)
- • 2016 (258-260)
- • 2017 (261-263)
- • 2018 (264-269)
- • 2019 (270-273)
- • 2019 (274-276)
- • 2021 (277)
- • 2022 (278-281)
- • 2023 (282-284)
- • 2024 (285)
-
Des barbares...
-
Entertainments
-
Fin-de-Siècle
-
Fourneau and Fornax
-
Printings
-
Typography
This article is available in the standard RSS format for publication on your website : http://fornax.fr/data/en-articles.xml
Certain prejudices have nine lives. The one who asserts that the literary activity would produce only famished people is a part of it. And within the disciplines of the literary activity, the poetry is supposed to be in the first rank. To summarize in brief: the poetry does not feed his man (or his woman, that is the same thing).
This maxim was the point of departure of the work presented here. It is always pleasant to try to demolish false certainties. And prove that the poetry can feed his man promises to be a interesting exercise. How to arrive there? Very simply by using an edible poetic material: shortbread biscuits which have fragments of combinable sentences between them. The poetic language which we can develop with such a material is a little limited (in the style of the one used by the regretted Noël Arnaud in its Poèmes Algol) but it allows a certain wealth of variations within a theme imposed by the fragments of sentences themselves.
The collection proposed here was realized with a vocabulary of 30 fragments: a baby, a kiss, a summer, are you thirsty, be cheerful, be kind, be quiet, be wise, Gaetan, goodbye, hello, I like that (I love that), I love you, in a train, I want it, immoderately, in the sea, keep quiet, miaow miaow, of course not, Rose, see you tomorrow, smile to me, think of me, this afternoon, to laugh, you dad, you dream, you mom, you owe.. These fragments were used at least once in the collection. All the written poems constitutes a story.
This collection is only one of the possibilities offered by the poetic basic material. Other numerous poems can be compose. Moreover–and it is an advantage that do not offer the other methods of composition–if we are a little hungry, during or after a session of poetic writing, we can nibble at its work. A new way is found for the survival of the sort homo poeticus. We can now assert without big risk of mistake that the poetry will be food or will not be.
Category : - Entertainments
Page read 2419 times
Preview
Print...
Nobody gave a comment yet.
Be the first to do so!
George Auriol
sur l'ultime création
de M. Pullmann
20 pages,
format 11,2 x 13 cm.
tirage à 100 exemplaires en typographie.
CLS
Un volumen,
79 cm de long, 17,5 cm de haut.
tirage à 10 exemplaires en linogravure.
Marie-Rose de France
26 petits textes en proses poétique. Vignettes de CLS.
tirage à 120 exemplaires en typographie au plomb.
Pierre Pinelli
24 pages,
format 15 x 20 cm.
tirage à 100 exemplaires en typographie au plomb.
Marie-Rose de France
|
|
36 p., format 10 x 14 cm. composé et imprimé en typographie au plomb Tirage à 120 exemplaires. (cliquer sur l'image pour en savoir plus) |
... for those who are too lazy to seek.
10223075 visitors
38 visitors online
Fornax éditeur 18, route de Coizard, F51230 Bannes – 37 bis, rue de Montreuil F75011 Paris – France
